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                    Street Talk

                                        Fixwrite Press - 23 pages

                                        Hard hitting poetry of social comment

 

                                        Contents:

                                Public Housing Australia
                                Advance Australia fair
                                Access
                                Home of (no) Mercy
                                Man of the Town
                                Race to the Top
                                Urban Artist
                                Paul
                                Frocked in Black
                                The Commercial
                                Hard Times #1
                                Hard Times #2
                                At the End


Frocked in Black

 

he stands
frocked in black
that swishes in a seduction of threat
as he turns slowly
to select from the smorgasbord before him
short panted boys
bursting with life
and a spirit that he
and others of his ilk
had the power to dull
he watches
from his covey of power
to seek his prey
one separated from the flock
eager for attention
his shadow falls upon a child
isolated from his peers
by his differences
a timidity that shows
as the predator smiles
and lays his hand on the shoulder
gently, authoritatively
possessively
he teases his prey
into the vestry of despair
to the altar of pain and confusion
where love and hate intermingles
another boyhood sacrificed
to the lust of celibacy

© Merlene Fawdry


 

At the End

And...
at the end
there are only
dry eyes
that start vacantly
at the sorrows of the past

© Merlene Fawdry


Public Housing Australia

 

wide streets intersect the treeless plain
of the housing subdivision
a uniformity of rooftops
spreading to the horizon
low slung wire fences
ordering grassless lots
of design cloned houses
built for those who live
on the fringe of society
bydetermination of the state

wide streets intersect the treeless plain
of the housing subdivision
showing an abstract of street art
with a difference
for there is no colour
in the curves of black rubber
on the patched tarmac
woven in an open-ended knot
to demarcate the territory
of the natives who live within

wide streets intersect the treeless plain
of the housing subdivision
quiet in the mid-morning sun
Toranas and Lasers resting
in dusty front yards
and oil stained driveways;
weary warhorses
of the urban warrior.
their armour against nonentity
in the class divide of life

wide streets intersect the treeless plain
of the housing subdivision
where a torn curtain shivers
behind a broken window
held together with yellowed tape,
an unblinking eye watches
the solitary police car
as it trawls the streets
in anticipation and expectation
of a good days catch

wide streets intersect the treeless plain
of the housing subdivision
designed to protect the social order
of the city’s bourgeoisie
through bureaucratic consignment
of those its assesses as worthy
to live in this wasteland
on the edge of society
where they must rise to meet
the challenge to survive

© Merlene Fawdry


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